Why is patrick bateman obsessed with business cards




















Themes All Themes. Symbols All Symbols. Theme Wheel. Everything you need for every book you read. The way the content is organized and presented is seamlessly smooth, innovative, and comprehensive. The colored dots and icons indicate which themes are associated with that appearance. Price attempts to schedule a time to play squash with Montgomery, who gives him his business card. The men are all in awe, marveling over the paper, the coloring, One of the Cite This Page.

As uninspired as his card is, the clean and almost anonymous feel that Helvetica lends is a good fit for the straightforward design as a whole. The tasteful thickness of it. Though it is called gothic, the typeface actually has lovely subtle glyphic serifs, giving the card a distinctly 20th-century sensibility with more character than Helvetica offers which is a true gothic or sans serif. Overall, his card might be the cream of this particular crop, though none are particularly special.

Before we move on to talking about the primary four cards as a whole, we have to make an honorable mention to the often overlooked fifth card! The green is registered well enough, but the gold is significantly out of register, hanging much too far to the left.

His last name is set in all caps like the other four cards, but his first name is the only one to be set in title case. His card is the flashiest and most expensive but is executed so poorly that it really just looks outlandish and silly. Thanks for sharing that, Justin! As a whole, the cards are much like their owners: potentially appealing at first glance yet predominantly unoriginal and flawed. Patrick Bateman, David Van Patten, Timothy Bryce, and Paul Allen are similar in age, appearance, and dress and they all have the same job and variations of the same business card.

This video about the American Psycho business card scene was created by StudioBinder , a manufacturing administration software creator that additionally occurs to supply wildly informative video essays. They are likely to give attention to the mechanics of filmmaking itself, from staging to pitches and directorial methods. You can try their YouTube account here. Death by a thousand paper cuts. Meg Shields is the humble farm boy of your desires and a senior contributor at Film School Rejects.



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